Monday, 11 December 2017

Dragon Walk by Melissa Bowersock

Well, really. There I was, in full mourning mode, after reading what I thought was the last Lacey and Sam book, when up pops number five! Quite threw me off kilter…ah, but was I glad. It seems the Lacey and Sam fan club just would not let them rest after their fourth mystery, so thank goodness for an author who listens. Cue Book 5 which sees our spirit hunters trying to solve a case that’s dumbfounded the police. 

A young marathon runner disappears suddenly on a regular morning run. All paths lead to either an ex-boyfriend or her current abusive one. It rests on Lacey and Sam to see if they can pick up any trails the police couldn’t. 

I’d be lying if I said I wasn’t dying to find out how their relationship was panning out…we saw it get to a very satisfying level by the end of Book 4. So I really needed to find out if was all wine and roses. And the answer is: yes, I did find out.

This book is a good 100-150 pages shorter than its predecessors. But fans, never fear…Lacey and Sam are not lying low just yet. A sixth mystery is imminent. And that, is very good news.

See also:

Thursday, 30 November 2017

Close to Home by Cara Hunter

Set in the lovely university town of Oxford, I was expecting this to be, from current reviews, a gripping thriller about the hunt, led by DI Adam Fawley, for eight-year-old Daisy Mason, who goes missing from a family party. The title suggests the obvious: were the parents responsible, a neighbour perhaps, a sibling? Your expectation is of a suspenseful, edge-of-your seat thriller to find out not only the culprit, but of course, is she dead or alive. It certainly lived up to all of that, but my guessing journey was completely thrown off course with a surprise twist at the end. I really wasn’t expecting a good way! (Sorry, no spoilers.)

A very skilfully written and devised plot with a full cast of well-portrayed characters…those you’re meant to hate (oh heck, you really hate them) and those who are meant to garner your sympathy, empathy even, did just that.

However, just a couple of issues needled me a little throughout. Firstly, various fonts and typefaces were used to isolate 'public' tweets (the public invariably become judge and jury in these cases)…but some were extremely difficult to read as they were very feint grey which does not work in Kindleland. Not a deal-breaker, but I just didn’t see the value of it as well as struggling to read them.

Secondly, whilst the book was written from both first POV and third-person POV in the present tense (not my favourite, I'm afraid), the present tense didn’t work for me with the flashbacks. They were in the past, so for me, they should have been in the past tense. And a message to the author, editor and copy-editor: ‘there’s (there is)’ is followed by a single noun, not a plural one. This is elementary grammar, so I was a tad disappointed to see the error in one of the slightly better-edited books I’ve read. 

For all that, this previously unknown-to-me author is a new exciting find for me. Not only that, I gather this is the first in the D. I. Adam Fawley series, so I’m really looking forward to getting to know more about him.

Sunday, 19 November 2017

Espionage London by John Day

Told from both a British and German perspective, this was an interesting approach to a second-world-war spy thriller. Set in 1943, a quartet of young spies, led by Karl Strom, is sent by Hitler to set up devastating system that would, he thinks, ensure a positive outcome for Germany.

There is a lot of intrigue, twists and turns, and action. The characterisation is mostly good…a couple of characters are a tad unbelievable…the action scenes are compelling, and the wartime scene-setting is competent.

Day must have done a good deal of scientific and engineering research to make the device the spies are to plant so very credible, an element that contributes to a mostly engaging thriller.

What didn’t work for me was that the spies took on assumed names—obviously. Whilst the plot characters required them to be known by these names, I think the narrator should have referred to them by their ‘real’ names. It was a tad confusing. Secondly, the romantic element didn’t quite convince me. It seems one night between the sheets was enough to declare never-ending love for two couples, at least.

There are some serious editing issues, but nothing that can’t, hopefully, be fixed by a good editor.

John le Carré has no competition here, I’ll be honest, but it’s a decent espionage thriller that keeps you turning the pages right to the end.

Friday, 27 October 2017

The Last Deception by DV Berkom

I’ve read a number of good books since my last encounter with ex assassin Leine Basso, and with each (most of them by new-to-me authors), I had to hope they’d all be worth my time investment. I never have to 'hope' with a Basso adventure. You all know the sort of book: one that comes with an unwritten guarantee of excellence.

Berkom alternates books between two strong and bolshy female protagonists: Kate Jones and Leine Basso, whose turn it is in this, the sixth of her adventures. No less strong, no less bolshy, no less kick-arse, no less no-nonsense. Determined, sassy, independent and cunning. This time, she’s wading through the dark and murky waters of espionage and deception that casts a very heavy shadow over the relationship between two super-powers.

What do I say that I haven’t said before? I could dive into Mr Roget’s best seller to try and find some alternative words for 'captivating, page-turner, thrilling', but I’ll keep it simple: it’s another bloody good book by a bloody good author.

See Also:

Monday, 9 October 2017

After The Fire by Henning Mankell

I’m not a fan of translated novels…more often than not the text is a little stilted, as the translator is usually a native of the language from which the novel is being translated, English, therefore being the second language. This, from Swedish, wasn’t too bad, although the translator got into a pickle with the past tenses. However, the most annoying thing about this book was that every pronoun ‘I’ was in lower case, every word at the start of the sentence and many proper names didn't start with capital. Is this a Swedish thing? And why wasn’t it picked up by an editor? Five per cent in and I was seriously irked by this, but, as they say on Mastermind, I started so I finished.

I found this book rather dreary and lifeless…like most of the characters. Fredrik Welin is a disgraced retired doctor living alone on an island in the Swedish archipelago. His very mundane and routine life is dramatically overturned when his house is completely burnt down and he loses everything. When the police can find no cause, he is suspected of arson, not really considering that he’s lost his home (one that had been in his family for a number of generations) and just about all his possessions. With only the clothes he was standing in, he then has to deal with his terrible loss, the tragedy heightening his loneliness and purpose in life. Ultimately, of course, he wants to find out who set fire to his house and why. 

Fredrik is neither likable nor unlikable. He is bland, a bit feeble and devoid of any personality, so I found it very hard to feel sympathy...or anything...for him. Many of his neighbourhood islanders were the same. As for his daughter (who he’d only recently come to know), she was really rather obnoxious.

Mankell…I realised halfway through the book…was the author of the Wallander novels. I guess if you’re a fan of those, you might like this, the author’s final work before his death in 2015.

But this wasn’t for me…I found myself wanting to shake the characters to get some passion, a spark of life out of them.

Alas, this left me as cold as the icy sea Fredrik Welin swam in every morning.

Saturday, 16 September 2017

I Know Where She Is by S B Caves

The fact that the book I read before this one was centred around the same crimepaedophilia/sexual abuse/torture(not intentional, incidentally…I had no idea before I started either book!)may suggest that it’s a slightly overdone story line...perhaps.

However, that said, for a debut novel, this is quite an explosive burst onto the literary scene for this author. 

Ten years after Francine’s daughter's (Autumn) abduction, she receives a note saying quite simply: I know where she is. The note’s author, Lena, makes herself known to Francine shortly after and tells her she does indeed know where Autumn is. Clinging on to that last vestige of hope that her daughter is still alive, Francine, armed with vague snippets of information from Lena, does things she’d probably only ever seen in movies to try and find her daughter. But a mother will do anything, anything for her child.

It's all a bit ‘convenient’, there are no real intricacies in the plot, there are some plausibility issues, and the story lacks a bit of padding. It isn’t a long book, but I think its conciseness is at the expense of some finer details. The ending is a little hurried and abrupt. But, but, but...for all that, this was a very well-written, grippingalbeit darkunsettling, disturbingand compelling story and certainly had me glued to the pages from start to finish. 

An excellent start for this author, and I’ll certainly be looking out for his future novels.

Monday, 11 September 2017

The Woman in the Wood by Lesley Pearse

I really can’t understand the 4/5 stars reviews for this book. For starters, this author must have bunked the lecture on show and tell, because there was no showing at all. This made for a one-dimensional plot and flat cardboard characters. There was a good deal of head-hopping and some glaring grammatical errors. The writing came over as a tad immature and had the subject matter not been quite so disturbing, it could easily have been written for a pre-adult audience.

The story is set in the early 1960s, but you’d never have guessed. The attitudes and dialogue were more Victorian than mid-twentieth century.

Fifteen-year-old twins, Duncan and Maisy, are sent to their cold and unfeeling grandmother after their equally cold and unfeeling father commits their unwell mother to an asylum. With no help from Grandmother, they have to settle into their new surroundings and find new friends. One of these is Grace Deville, a woman who lives alone in the woods and about whom some unkind things are said.

One day, Duncan goes missing…the prospect of his return is diminished when boys of his age are found dead in the area. With the police not being exactly proactive, it falls on Maisy to stay strong and believe her brother will be found. 

I was extremely irritated by Pearse’s constant reference to Duncan and Maisy as ‘the twins’. ‘The twins’ are not an entity, they are two people…they are Duncan and Maisy. Pearse wouldn’t have referred to two different aged siblings as ‘brother and sister’ all the time. Twins aren’t a unit (I have twins and twin grandchildren), they are two separate people and like to be known as such. Pearse obviously has no experience of twins or she wouldn’t have made this dreadfully annoying faux pas. 

The plot concept is sound enough, but Pearse doesn’t handle it very well and it all became a bit silly. 

My first read by this author and I’m afraid to say, my last.